Such a project expands the history of settler colonialism beyond the better-known history of the mid-nineteenth century. There is now marvelous work on the violence wrought by the 1848 California Gold Rush through the 1870s, but these histories of catastrophe can obscure survival beyond the era. In fact, a general non-Native American public still tends to understand North American Indigenous people as relics of the past. Because of the popular appeal and accessibility of biography, and in this case the popular draw of sports stories, the genre can publicize a corrective to pervasive, popular, and imagined parameters of Indigenous history. Southard’s story is particularly important in constructing larger histories because he was a member of the Karuk Tribe, a nation without a reservation, divided between several agencies that changed frequently. Karuk histories therefore doesn’t show up in historical/ anthropological archives to the extent others do. Southard’s biography, aided heavily by oral history, can help reconstruct Karuk and broader Indigenous histories while highlighting Native perspectives more than conventional archival work could.
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