This talk explores “the New Right” of the 1970s in order to illustrate how their use of direct mail, position marketing, and mass media created a unique communicative genre that challenged assumed liberal democratic boundaries between informing and entertaining, art and news, fact and fiction. The paper argues that direct mail in particular helped revolutionize conserative constituency making in and through its post-industrial age. What would become “the New Right” in American public life largely emerged from this collective reconsideration of how best to make conservative ideas palatable to the American people in the midst of severe economic uncertainty. In essence, the New Right embodied what Viguerie and other similarly thinking conservatives attempted to practice daily in their respective meetings, publications, and policy defenses: principle over party.
In the midst of a crumbling New Deal Order, how would conservatives advertise their message to the broadest yet most productive audience possible? The content of this message mattered to be sure, racist, misogynist, or otherwise, but the ways in which such content was disseminated and marketed would be even more so.