Tracing these origins of the Sir Charles Price rat, I argue for the value of literary works, printed images, and folk tales in filling in the gaps of the early British Caribbean colonial record. Unlike traditional sources of West Indian history like government records and natural histories which present the colonies under propagandistic terms, literature and the oral record better document moments of anxiety and failure in eighteenth-century Jamaica. At a time when the island was considered the crown jewel of Britain's colonies, the Charles Price rat’s botched introduction demonstrates how planters’ desire to maximize returns on the crop could result in toxic harm to the island’s environment, the plantation’s laborers, and ultimately to the colonists themselves. In short, histories taken from enslaved laborers and recorded in literary sources document how Jamaica’s rise was one of fits and starts, where successes were just as frequently met with fiascoes.
Using the poster format, I will present short, rarely discussed sources, like dinner graces and songs from enslaved laborers, for discussion with my audience. Because these sources require both linguistic and generic analysis, I believe the poster format will allow me to unpack the many nuances embedded in two- and three-line textual sources. In addition, the poster format would allow me to present images of rodents in the eighteenth century to better contextualize how the Sir Charles Price rat aligns with and departs from European knowledge about domestic rats like the Norwegian or black rat.