Envisioning Disability and Family: Poster Child Imagery and American Postwar Conservatism
This presentation traces the shifting representations of disabled children in communities (the nuclear family, the neighborhood, and the nation) starting in 1960 with the NFIP’s shift from polio to birth defects as its primary issue and ending in 1980 with the poster child role’s rebranding as “goodwill ambassador.” These images also highlight the complex convergence of class, race, and disability in politically contentious decades that saw the rise of the new right. As debates over family values and women’s rights took center stage, the charities carefully negotiated the ideological divides by circulating increasingly diverse depictions of American families and communities to ensure broadest appeal. The organizations connected themes of respectability, hard work, and the mindful performance of gender and racial norms in their poster child imagery to patriotic sentiments in order to push for continued research into cures for disability, rather than investment into care networks, while promoting the acceptance of physically disabled children and their families within mainstream American values.
See more of: AHA Sessions