America’s Popular Eugenics Goes Global
This essay considers the histories of the US eugenics movement and America’s expansive culture industry in tandem in order to better understand how the nation’s globalized cultural circulations mediated its role as a “semiotic center” of popular eugenic discourse in the world. Through examining a range of “eugenic commodities”—especially mass-market magazines and films—it shows how the transnational dimensions of the American culture industry helped disseminate widely informational materials produced by the US eugenics movement. At the same time, however, this paper also argues that the transnational commodity flows through which eugenics tenets were popularized and globalized also destabilized their meanings, particularly in regard to race. The expanding yet porous borders of the US media empire, the intertextuality of modern popular culture, and the growing significance of immigrants and the multiethnic working-class as both audience to and active producers of US mass culture, ensured that even the most didactic Mendelian eugenic treatise could become unmoored, transformed, and reconstituted at points of production and reception.