Broadcasting Buenas Ondas: Rock Magazines and Radio Advertisements in 1970s Argentina
Drawing on radio advertisements and articles about the medium in the music magazines Superstar and Pelo, satirical magazines Satiricón and Humor, and newspapers including Clarín and La Prensa, this paper analyzes how radio reflected and reinforced youth values of community and optimism. How did rock radio stations rhetorically and visually position themselves as a response to the social fractures and political disenfranchisement produced by the authoritarianism of the 1970s? How do radio advertisements represent the preoccupations of rock music and magazines —for example, notions of individualism and community, the quotidian and the utopic, and affective exchange and commercialism? How do these advertisements reflect the changing relationship between the radio, newer technologies like the cassette recorder, and the communities that these devices produced? This paper argues that the “buenas ondas” promised by radio advertisements not only referred to broadcasts, but also the sense of community they produced over time through shared experiences listening to live broadcasts, circulation of rock magazines, and exchanged cassette tapes.
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