Pelourinho (Salvador da Bahia), UNESCO, and the Production of an Afro-Brazilian Past, 1965–75
Equally important to local, state and international economic strategists were international urban planners making recommendations on behalf of UNESCO and the potential for a particular place to become an UNESCO World Heritage site. One such document is Graeme Shankland’s 1969 UNESCO report. I argue the images from the 1969 UNESCO report played a determining role in justifying Pelourinho-Maciel a site worthy of the UNESCO decree based on its Afro-Brazilian past. Individually and collectively, the images work to construct visual proof supporting Shankland’s narrative claims including the potential for international tourism development. The images thus provide evidence for the potential touristic pleasure by offering the viewer images visually structured to take on a qualitative scrutiny akin to John Urry’s “tourist gaze” (2002). The forming of realist modes of depiction as produced through the images included in the 1969 UNESCO report helped to create a hierarchy of credibility and fact setting particular to the process of making Pelourinho-Maciel legible to city, state and foreign UNESCO managers.