As they left behind their civilian lives, the self-identities of these men underwent dramatic changes; they saw themselves becoming China’s ideal soldiers. This new identity was deliberately constructed through the political culture of the barracks; the Youth Army authorities, including Chiang Kai-shek’s son, Jiang Jingguo, mobilized a suite of politicized practices (training, rituals, contests, meetings, self-criticisms, autobiographical writing) to re-write the volunteers’ identities. None of these practices were unique to the Youth Army, but they were concentrated and intensified in the training regimen to produce a profound sense that the volunteers were a new type of man, elite citizen-soldiers that would save the Chinese nation in its most desperate hour.
Ironically, however, this Youth Army never saw action against Japan; instead the soldiers’ mission was to generate pro-regime propaganda; the Youth Army was a publicity machine for the Nationalist state, producing autobiographical propaganda accounts for use in military and regime-sponsored publications. It was a writing Army. Yet, despite the hopes and care that Nationalist authorities lavished on the Youth Army, cracks appeared in the ideological mirror of the soldiers’ writings and in their behavior; the identity of the state’s most committed and disciplined citizens proved impossible to manipulate completely.
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