Under the military dictatorship (1964 – 1985), the image of the FEB as a military triumph and a source of patriotism grew stronger and eroded its democratic and liberal components. In the midst of this hegemonic narrative, a small group of comic artists used the already established genre of FEB war comics to criticize the military and expose the ugly aspects of war. While their North American colleagues created bold underground comix, the Brazilians did not enjoy the same freedom and had to make do with subtle subversive messages. Thus, this paper argues that Brazilian war comics became a vibrant arena where powerful metaphors of the nation competed over what it means to be Brazilian, and explores the construction and contestation of national identity.
See more of: Conference on Latin American History
See more of: Affiliated Society Sessions