In parallel to the construction of arenas in Mexico, U.S. rodeo arenas play a pivotal role in the construction of a Mexican transnational civil society. Arenas are collection nodes for migrant HTAs and Federations who use cultural events to pool dollars that support development projects in Mexico. In this sense, U.S. rodeo arenas are emblematic of a remittance urbanism and part and parcel of a Remittance Development Model (RDM) spearheaded by the Mexican state. They are sites in American cities that are geared toward strengthening emigrants’ ties to their homeland through the performance of remitting and the envisioning of shared futures based on migrant generosity.
I map the relationship between U.S. immigrant groups and their hometowns to demonstrate that understanding the places U.S. immigrants come from, and their individual and collective building projects, are essential to understanding the American city and American society at large. I argue that the architectures of migration are powerful evidence of the aims, desires, and fears that drive social change in rural Mexico.
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